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    <id>tag:nickseaver.net,2008-03-28:/dilettante//1</id>
    <updated>2008-10-08T02:23:33Z</updated>
    
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<entry>
    <title>&quot;Inter&quot; Means Between</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/inter-means-between.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.40</id>

    <published>2008-10-07T15:50:12Z</published>
    <updated>2008-10-08T02:23:33Z</updated>

    <summary>While I&apos;ve been neglecting this blog, I&apos;ve been working on school projects, including a post for the blog of my research group, New Media Literacies. This is cross-posted from there! Here at Project NML, we are very interested in how...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<p class="update">While I've been neglecting this blog, I've been working on school projects, including a post for the <a href="http://newmedialiteracies.org/blog">blog</a> of my research group, <a href="http://newmedialiteracies.org">New Media Literacies</a>. This is <a href="http://newmedialiteracies.org/blog/2008/10/inter-means-between.php">cross-posted</a> from there!</p>
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://newmedialiteracies.org/blog/assets_c/2008/10/fluxusorchestra.php" onclick="window.open('http://newmedialiteracies.org/blog/assets_c/2008/10/fluxusorchestra.php','popup','width=343,height=317,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://newmedialiteracies.org/blog/assets_c/2008/10/fluxusorchestra-thumb-400x369.jpg" width="400" height="369" alt="fluxusorchestra.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></a></span><p>Here at Project NML, we are very interested in how new creative works often spread across a variety of media types. The new media landscape is full of stories that exist in books, TV, and social networking sites. We call the ability to deal with these changing modes of communication "Transmedia Navigation." But even before widespread digital communication made the nearly effortless flow of information across media possible, artists were experimenting with ways to break out of the limits of traditional media.</p>
<p>Dick Higgins, an artist with the Fluxus movement in the 1970s, referred to his pieces as "intermedia," suggesting that they were not part of any existing media practice like drama, music, or poetry, but rather in between them, emphasizing "the dialectic between the media." For example, read the score to his "Constellation Number 4":</p>
<blockquote><strong>Constellation Number 4</strong>
<p>A sound is made. The sound is to have a clearly-defined percussive attack and decay [such as produced by plucking strings, hitting gongs, bells, helmets, or tubes]. Each performer produces his sound efficiently and almost simultaneously with other performers' sounds. Each sound is produced only once.</p></blockquote>]]>
        <![CDATA[<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://newmedialiteracies.org/blog/assets_c/2008/10/gritar.php" onclick="window.open('http://newmedialiteracies.org/blog/assets_c/2008/10/gritar.php','popup','width=239,height=312,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://newmedialiteracies.org/blog/assets_c/2008/10/gritar-thumb-200x261.jpg" width="200" height="261" alt="gritar.jpg" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></a></span>
<p>The performance ends up as a set of performers playing a single note, almost simultaneously. What looks like a musical event to the audience is scored like a theatrical event, with no traditional musical notation in sight. Other Higgins works have instructions like "Scream! Scream! Scream! Scream! Scream! Scream!" or "Volunteer to have your spine removed," which are either confusing or impossible. (The "Scream!" piece is called "Danger Music Number Seventeen," and is usually performed by someone screaming until they lose their voice. Seriously!) These pieces that cannot be performed are clearly intended to be read, and again stretch the boundaries of their media.</p>
<p>A major difference between "Danger Music Seventeen" and a transmedia story such as the Pok&eacute;mon franchise is the focus on media. While Pok&eacute;mon exists across a variety of media, "Danger Music" is <i>about</i> the variety of media. A performer encountering the instructions is prompted to think about how the piece could possibly be interpreted, drawing on modes of communication from multiple media traditions. Pok&eacute;mon, on the other hand, is not specifically about the fact that it is on television, in a comic book, video game, or on a deck of cards.</p>
<p>Intermedia is about production and the generation of new media types (many of the works of Fluxus composers like Dick Higgins have come to be classified as "Happenings" or "performance art"), while transmedia usually describes the reception of a story through different media channels. Intermedia suggests that we might reconceive New Media Literacy as not only the ability to read and write stories across media, but also the ability to identify the spaces between the media and creatively open them up to enable new media forms.</p>]]>
    </content>
</entry>

<entry>
    <title>MIT Media Nerds, the Podcast!</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/technology/mit-media-nerds-the-podcast.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.39</id>

    <published>2008-09-14T14:11:48Z</published>
    <updated>2008-09-14T14:17:55Z</updated>

    <summary> First non-meta blog post in a long time! Tonight, at 9, a classmate of mine has set up a Talkshoe show for the classmates to chat about whatever we feel like, hoping that we are interesting enough to engage...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Technology" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[ <p>
First non-meta blog post in a long time!</p>
<p>
Tonight, at 9, a <a href="http://tapioca.tv" title="audubon">classmate</a> of mine has set up a <a href="http://talkshoe.com">Talkshoe</a> show for the classmates to chat about whatever we feel like, hoping that we are interesting enough to engage more than moms. In any case, you can download the thing when it's done as a real podcast. For the real details, I just copied her blog post for you:</p>
<blockquote>
<p>While poking around the intraweb to find phone-post blogging applications, I came across <a href="http://talkshoe.com">TalkShoe</a>, which is a new community podcasting site that basically lets you set up an online radio talkshow, except you could also use it to live audio blog with a bunch of other people, record a conference or class, or vent your frustrations about Governor Palin with a group of strangers (or friends) on the internet immediately after her latest TV interview (ahem).</p>
<p>To test it out, I have set up a weekly "talkshow" for Sunday nights at 9p called "MIT Media Nerds". The first "episode" will be 30 minutes, and I've recruited some fellow CMS nerd compatriots to call in, so I won't be talking to myself...although any TalkShoe users presently on the site can also choose to call in when the episode is live. <strong>How can I participate, you ask? </strong></p><strong>
</strong><p><strong>On Sunday at 9p, you can either call 724-444-7444 (call ID 26622) and start talking, or go to <a href="http://www.talkshoe.com/tc/26622">http://www.talkshoe.com/tc/26622</a> and start writing in the chatroom, or talking from your computer mic, either as a guest or registered user.</strong> Friends abroad, you can also call in via Skype (but in order to use Skype, you have to download TalkShoe's voice app for free, so you might as well just go online). If you're too busy to call in, fear not! Each episode will be archived as a podcast on this and other sites.</p>
<p>What will we be talking about? I dunno. Odysseus, video games, politics on YouTube, the latest George Clooney film, whatever. Call and find out!</p></blockquote>
<p>Ta-da!</p>]]>
        
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</entry>

<entry>
    <title>So Sorry, School Started</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/metablogging/so-sorry-school-started.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.38</id>

    <published>2008-09-14T13:42:53Z</published>
    <updated>2008-09-14T14:02:57Z</updated>

    <summary> When I started this blog, it was going to be something to help me learn HTML and keep me motivated to work on various edifying activities. Even with the long gaps in posting (last entry July 28...), I think...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Metablogging" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<p>
 When I started this blog, it was going to be something to help me learn HTML and keep me motivated to work on various edifying activities. Even with the long gaps in posting (last entry July 28...), I think it succeeded in that, for the most part.</p>
<p>
There's not a whole lot to add about what filled out the rest of the summer; it was more of the same, and some of the different (first trip to Cape Cod, other assorted excitements). School technically started three weeks ago, although real classes and so on have only been on for half that. Classes have been great (thanks for asking), and my work as a research assistant with <a href="http://www.projectnml.org" title="New Media Literacies">Project New Media Literacies</a> has been engaging.</p>
<p>
So, this isn't intended to be a post-mortem analysis of how well I did what I set out to do in my <a href="http://nickseaver.net/dilettante/metablogging/getting-started.html" title="a long time ago">first post</a>, but rather a change of gears. Grad school is astronomically more work than bumming around for the summer with a blog, so it is possible that post volume might go down, if that were even possible. However! Thanks to all the work I'm doing, I'll have more frequent things to share, including blog posts written for other blogs (they should have looked into my blogging track record before asking me), and various reflections and announcements related to my busy and soon-to-be-more-busy life.</p>
<p>
I need to sit down and figure out what I want this space to be, and that should hopefully happen soon enough for me to start yakking about all the wonderful things (and presumably some less than wonderful things) that the school year brings. At the very least, I'll clean up the dead links and broken formatting in the sidebar and maybe even toss in a CSS redesign (which will be refreshed as a result of our Workshop class, where we will learn such things as Processing and CSS and Final Cut Express).</p>
<p>
That's it for now, stay tuned for more exciting tidbits, hopefully.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Testing</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/metablogging/testing.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.37</id>

    <published>2008-07-28T20:34:52Z</published>
    <updated>2008-07-28T20:34:52Z</updated>

    <summary>Just experimenting with some new technology to make me more inclined to post on this here blog....</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Metablogging" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<p>Just experimenting with some new technology to make me more inclined to post on this here blog.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Dilettantism</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/metablogging/dilettantism.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.36</id>

    <published>2008-07-16T01:00:50Z</published>
    <updated>2008-07-16T12:36:39Z</updated>

    <summary> When I started this blog, I was going to focus on the scads of how-to books I&apos;ve been consuming and projects I&apos;ve been working on during my sabbatical (or &quot;unemployment,&quot; if you must). Things change, and I&apos;ve ended up...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Memes" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Metablogging" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[ <p>
When I started this blog, I was going to focus on the scads of how-to books I've been consuming and projects I've been working on during my sabbatical (or "unemployment," if you must). Things change, and I've ended up posting mostly pictures of stuff or commentary on things unrelated to my little vacation, except in that I found them while wasting time on the internet.
</p>
<p>
So, to focus a little, I'm ghettoing my internet novelty/link posts to a new <a href="http://matlockmatlock.tumblr.com" title="Dilettantism">Tumblr account</a>, which makes posting such things about a million times easier and frees up this blog for longer-form, true-to-the-original-plan posts. I've been playing with Tumblr for a few days, so you can see what you think before you commit to any sort of bookmark or subscribe to that <a href="http:/matlockmatlock.tumblr.com/rss" title="tumblrRSS">RSS feed</a>. I read too many blogs, so I promise there will be a nice and steady stream of interesting things popping up.</p>
<p>Posts at this blog will be less frequent, but hopefully they will also be better since I can't use pictures of dollar bill Albert Einstein to pretend like I'm actually generating any content. At some point, I'll try to move the Tumblr stuff over to my domain name in some way, but for now, it's staying pretty at <a href="http://matlockmatlock.tumblr.com" title="Dilettantism">http://matlockmatlock.tumblr.com</a>.</p>
<p>
Enjoy the procrastination of an expert.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Fireworks</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/memes/fireworks.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.35</id>

    <published>2008-07-05T17:01:13Z</published>
    <updated>2008-07-05T17:08:19Z</updated>

    <summary>&quot;What could be more unforgettable than dollar bill Albert Einstein?&quot;...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Memes" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<p><a href="http://www.cabel.name/2008/07/yay-fireworks.html" title="Cabel's blog lol">"What could be more unforgettable than dollar bill Albert Einstein?"</a></p>
<p><a href="http://www.cabel.name/2008/07/yay-fireworks.html" title="Cabel's blog lol"><img src="http://nickseaver.net/dilettante/images/dollareinstein.jpg" alt="dollar bill einstein" class="fullimage" /></a></p>]]>
        
    </content>
</entry>

<entry>
    <title>No More Thongs</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/music/no-more-thongs.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.34</id>

    <published>2008-06-30T01:11:06Z</published>
    <updated>2008-06-30T01:47:30Z</updated>

    <summary> As I&apos;ve been sending out links to some of the music on the site to people, I have noticed that I am loath to direct people to zShare (where I used to host my music files), on account of...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Metablogging" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<p>
As I've been sending out links to some of the music on the site to people, I have noticed that I am loath to direct people to zShare (where I used to host my music files), on account of the videos of girls in thongs that surround the download links. So, to remedy that, and because I don't have all that much download traffic anyway, I'm rehosting all the music stuff myself, so I can send links to people that don't involve multitudinous fannies. So all the links through the sidebar should go to files hosted on my site. Please right-click and download rather than listen online to save me the bandwidth!</p>
<p>
I've added "Won't Get Fooled Again and Again" to the sidebar (for better or worse--I'd recommend listening to the beginning, then find the guitar solos, then skip to the end), along with a <a href="http://www.thebooksmusic.com/" title="The Books">The Books</a>-inspired piece I composed for a multimedia course in college (in the archive-dredging spirit of the <a href="http://nickseaver.net/dilettante/memes/el-bosque-monstruoso.html" title="metablogggss">last post</a>, and a previous draft of the Ciara piece from my <a href="http://nickseaver.net/popstudies.html" title="Pop Studies"><em>Pop Studies</em></a>. Also, in the spirit of full disclosure that has overcome me, a piece simply titled "Song 1" composed in Apple's Garage Band, made solely from royalty-free loops. Highly recommended comedy listening.</p>
<p>
For the completists out there, here is a list of all the musical cruft lining my website tubes:</p>
<ul>
<li><a href="http://nickseaver.net/popstudies.html" title="Pop Studies"><em>Pop Studies</em></a> <span class="update">The whole album of 'em.</span></li>
<li><a href="http://nickseaver.net/dilettante/audio/ciaradrone.mp3" title="Ciara Drone">Ciara Drone</a> <span class="update">The early version.</span></li>
<li><a href="http://nickseaver.net/dilettante/audio/estefanonthebeach.mp3" title="Estefan on the Beach">Estefan on the Beach</a> <span class="update">Philip Glass, a la Miami Sound Machine.</span></li>
<li><a href="http://nickseaver.net/dilettante/audio/myclaps.mp3" title="My Claps">My Claps</a> <span class="update">Steve Reich, a la Black Eyed Peas.</span></li>
<li><a href="http://nickseaver.net/dilettante/audio/seaverfinalproject.mp3" title="Final Project">Seaver Final Project</a> <span class="update">The elegantly named Books rip-off.</span></li>
<li><a href="http://nickseaver.net/dilettante/audio/song1.mp3" title="Garage Band!">Song 1</a> <span class="update">Royalty-free and comedy gold.</span></li>
<li><a href="http://nickseaver.net/dilettante/audio/wontgetfooledagain.mp3" title="Won't Get Fooled">Won't Get Fooled Again and Again</a> <span class="update">Keep in mind the listening notes above.</span></li>
</ul>
<p>More to come.....?</p>]]>
        
    </content>
</entry>

<entry>
    <title>El Bosque Monstruoso: My College Essays</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/memes/el-bosque-monstruoso.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.33</id>

    <published>2008-06-28T20:58:21Z</published>
    <updated>2008-06-29T10:59:09Z</updated>

    <summary> After posting up that wordle visualization of my senior thesis, I decided to take a look back through the archives to see what other interesting things I could unearth. Reading one&apos;s own college essays is an experience in humor...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Books" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Memes" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<p><img src="http://nickseaver.net/dilettante/images/wordle/senioryearwordle.png" alt="wordle" class="fullimage" /></p>
<p>
After posting up that <a href="http://nickseaver.net/dilettante/memes/wordle.html" title="metabloggging!">wordle visualization</a> of my senior thesis, I decided to take a look back through the archives to see what other interesting things I could unearth. Reading one's own college essays is an experience in humor and embarrassment that I could not just keep to myself. Of course, it wouldn't be fair to you to put up the actual essays, so instead I've collected their titles, my recollections, and some visuals courtesy of <a href="http://www.wordle.net" title="wordle!">Wordle</a> for your amusement. Enjoy after the jump.
</p>]]>
        <![CDATA[<h2>Freshman Year</h2>
<p> Starting in on freshman year, we have:</p>
<br /><p><em>The Making of the Christian Bible</em></p>
<p>Your typical freshman class on something heady, including creative writing exercises that I titled
<strong>The Secret Wisdom of Nick</strong> and
<strong>The Letter of Nick to the Californians</strong>. Not to be outdone by my creative writing titles, I named the midterm paper <strong>Jesus and Moses (or how I learned to stop worrying and love typology)</strong>. That is not a joke.</p>
<br /><p><em>Introductory Italian</em></p>
<p>Nothing too bad here, although one of the compositions is inexplicably titled <strong>La Megafesta Hollywoodiana!</strong>.</p>
<br /><p><em>Introduction to Ancient Philosophy</em></p>
<p><strong>What do you Want!?: Plato vs. Socrates: Human Motivation</strong> introduces title-motif number one: sub-titles. Apparently I love them. This early example has not only one subtitle, but two. We will see more of them, I promise.</p>
<br /><p><em>English 129 (Something about Europe)</em></p>
<p>I don't remember the official title of this class, but you can tell that my nascent titling genius is already tickled by the reading arts:</p>
<p><strong>Don't You Think?: The Role of Silence in Beckett's <em>Waiting for Godot</em></strong> <span class="update">(yes, that is an alanis morissette reference, don't ask me why)</span></p>
<p><strong>That Shakespeherian Rag</strong> 
<span class="update">(now an Eliot reference, getting better...)</span></p>
<p><strong>A Chorus' Lines</strong> 
<span class="update">(oh my god, about Hippolytus. I was a genius)</span></p>
<p>And that wraps up the glorious papers of my freshman year. The other ones never made it to my save folder, I guess.</p>
<h2>Sophomore Year (Finding a Major)</h2>
<p>We start off with a gut science class:</p>
<br /><p><em>Porn in the Morn (Also called Sexy Biology, I can't remember the real name anymore)</em></p>
<p><strong>Facilitating Decisions of Gender Identity in Intersex Children</strong></p>
<p>That one is not a winner; scratch biology off the list of potential majors.</p>
<br /><p><em>Pictograph to Pixel</em></p>
<p>A history of media class:</p>
<p><strong>Jensen's Eusebius</strong></p>
<p>I am cranking out yawners this semester for some reason</p>
<br /><p><em>The Medieval Book</em></p>
<p><strong>The Folk Doctrine of Indulgence in Beinecke MS 410</strong></p>
<p>yaaawwwwwnnnn, but it looks better in Wordle! (with an appropriately Jesus People-y font:</p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/medievalbookwordle.png" class="fullimage" alt="wordle" /></p>
<br /><p><em>The Rest</em></p>
<p>Someone must have told me to tone it down on the titles sophomore year. These are all clunkers, and some of them, inexplicably, have no titles at all in the document files. I should explain a little about how my titling usually worked: I would start writing a paper, maybe a day or two before it was due, and after writing all night on the last day, I would remember "oh shit, title," and then make up something that I thought was humorous or whatever in a quasi-drunken stupor. So really, I'm just following the lead of the dozens of cultures that rely on sleep-deprivation and hallucinatory states to find the deeper meaning in life. Except I usually just end up with bad puns.</p>
<h2>Junior year</h2>
<p>I start the year as a Religious Studies major, realize I didn't sign up for any Religious Studies courses because they looked boring, and then ditch a class to go meet with the dean of Literature and switch majors mid-stream.</p>
<br /><p><em>Lit Theory: A series of unfortunate events</em></p>
<p>We had three papers in Lit Theory, and I botched the titles on all of them:</p>
<p><strong>The Coherence of the Text</strong></p>
<p><strong>Theory: The Expansion of the Text</strong> 
<span class="update">(another sub-title!)</span></p>
<p><strong>The Role of History in the Study of Theory</strong> 
<span class="update">(that one was a bad paper too, I think)</span></p>
<p>and combined together in Wordle, vague and generic content!:</p>
<p><p><img src="http://nickseaver.net/dilettante/images/wordle/littheorywordle.png" class="fullimage" alt="wordle" /></p>
<br /><p><em>White Male Sexuality in Popular Culture</em></p>
<p>Awesome class. We got to watch <em>Top Gun</em>, and this is my reading response:</p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/topgunwordle.png" class="fullimage" alt="wordle" /></p>
<p>This was also the first class where I knew I wanted to write about recordings and lit theory. The title of my amateurishly brilliant term paper on David Bowie?: <strong>Wham, Bam, Thank You, Ma'am: The Aesthetics of Rebellion in <em>Ziggy Stardust and the Spiders from Mars.</em></strong> That starts off the "quotation: real title" model in full swing.</p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/ziggywordle.png" class="fullimage" alt="wordle" /></p>
<p class="caption">Notice how the only big words are 'Ziggy' and 'Bowie.' Hmm.</p>
<br /><p><em>Art and Ideology</em></p>
<p>A paper on Brecht titled: <strong>"His Master's Voice": Alienation Effects in Record Production</strong>. One of the papers I ravaged to put together my senior essay.</p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/brechtwordle.png" class="fullimage" alt="wordle" /></p>
<p>And on Marxist-Structuralist-Lunatic Louis Althusser: <strong>Copyright and Capitalist Hegemony</strong>. Loving the copyleft already.</p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/althusserwordle.png" class="fullimage" alt="wordle" /></p>
<p class="update">Nothing else too great from junior year, so on and up!</p>
<h2>Senior Year</h2>
<p>I was behind in my foreign literature requirement, so I took two sort of half-Spanish classes sort of half-assedly.</p><p>
</p><br /><p><em>The Jungle Books</em></p>
<p><strong>Jungle Noises: On Entering the Jungle</strong>, and</p>
<p><strong>"El inacabable mimetismo": The Structure of Truth in <em>Los Pasos Perdidos</em> and <em>Tristes Tropiques.</em></strong> 
<span class="update">I have no idea what that means.</span></p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/junglewordle.png" class="fullimage" alt="wordle" /></p>
<br /><p><em>Dictator Novels</em></p>
<p><strong>"El Bosque Monstruoso" and the Topography of Dictatorship</strong> <span class="update">Now that one is a doozy.</span></p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/dictatorwordle.png" class="fullimage" alt="wordle" /></p>
<h2>Lit 120: Narrative something or others</h2>
<p>In my senior year I had to take this freshman lit class to finish my prerequisites. You might call this my baroque period of essay titling:</p>
<p><strong>The Eventfulness of Non-Events and the Non-Eventfulness of Events in <em>Jeanne Dielman</em></strong></p>
<p><strong>A Question of Power: Clues and Narrative Building in <em>Vertigo</em></strong></p>
<p><strong>The Unavoidable Villain: On the Discursive Generation of Archetypes</strong></p>
<h2>Systems and their Theory, and Art, Music, Theory</h2>
<p>Two classes that were all formative on me and stuff, but without snappy titles. In Art, Music, Theory I wrote a paper about Lacan and sound artist Alvin Lucier:</p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/lucierwordle.png" class="fullimage" alt="wordle" /></p>
<p>And you can tell by the comments I got back how well I understood my terms:</p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/k-cwordle.png" class="fullimage" alt="wordle" /></p>
<p>A paper on repetition in Reich and LeWitt (that's the "Art, Music" part, with Deleuze carrying the "Theory"):</p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/repetitionwordle.png" class="fullimage" alt="wordle" /></p>
<p>Systems and their theory was pretty great, in large part because I only had to think about one thing the whole time:</p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/systemswordle.png" class="fullimage" alt="wordle" /></p>
<h2>The Senior Essay</h2>
<p>And of course it comes to an end with the glorious senior essay, titled:</p>
<p><strong>The Tubular Groaning of Galactic Refrigerators: Noise in the Age of Its Mechanical Reproducibility</strong>, which manages to reference <em>Rolling Stone</em>, Lou Reed, and Walter Benjamin in its svelte 14 words. 
<span class="update">(you could maybe call it TTGoGR:NitAoIMR for short.)</span></p>
<p>That Wordle is in the last post, but since it largely cannibalized every other paper I wrote in college, I decided to run all my term papers from senior year through Wordle and see what happens. The result is so awesome at describing my academic interests so far, that I may actually print it out and use it for explanation. It was the leading image on this post, but I'll put it again so you don't have to overwork your scrolling fingers:</p>
<p><img src="http://nickseaver.net/dilettante/images/wordle/senioryearwordle.png" class="fullimage" alt="wordle" /></p>
<p>That wraps up my public humiliation for now! Join us next time for something that will be equally embarrassing in the not-too-distant future.</p>]]>
    </content>
</entry>

<entry>
    <title>Wordle!</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/memes/wordle.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.32</id>

    <published>2008-06-27T11:15:59Z</published>
    <updated>2008-06-27T11:56:52Z</updated>

    <summary> I saw Wordle on the blog of one of my future classmates, where she ran her thesis through it, so I decided to try it out on my own college thesis, just for kicks. Basically, you copy in text,...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Memes" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Technology" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<p> I saw <a href="http://wordle.net/" title="Wordle.net">Wordle</a> on the <a href="http://www.blotts.org/blotts/?p=141" title="Madeline's Blog">blog</a> of one of my future classmates, where she ran her thesis through it, so I decided to try it out on my own college thesis, just for kicks.</p>
<p>
Basically, you copy in text, and it makes a picture of the top 150 words, varying in size according to their frequency. Here's mine:</p>
<p>
<img src="http://nickseaver.net/dilettante/images/thesiswordle.png" class="fullimage" alt="my thesis, in wordle" /></p>
<p>
That appears to sum up my academic interests quite nicely. Maybe I should bring a copy to these meetings I'm having with faculty to explain myself.</p>
<p>(Words of note: the indistinguishable "indistinguishable" beneath the OR of "recording," "woman," above the D in "sounds," and "Schafer" under the MU of "music." I have no idea why woman would have shown up that often, especially given that I was particularly neglectful of female artists in my paper. Also, it appears that my obsession with <a href="http://en.wikipedia.org/wiki/R._Murray_Schafer" title="R. Murray Schafer on wikipedia">Schafer</a>-bashing turned up here. Also, it is so cool that "Metal" turned up at the top, capitalized of course because it usually refers to <a href="http://en.wikipedia.org/wiki/Metal_Machine_Music" title="wikipedia"><em>Metal Machine Music</em></a> or <a href="http://en.wikipedia.org/wiki/Metal_Acoustic_Music" title="wikipedia"><em>Metal Acoustic Music</em></a>.)</p>
<p class="update">I had to add: I just learned that <em>Metal Machine Music</em> is sampled in the TV on the Radio song "Let the Devil In," and that there exists a Killers song that begins in a similar way to a track on <em>Metal Machine Music</em>. Now I'm done.</p>
<p class="update">Not actually done. I searched my thesis for "woman" to figure out the mystery, and it turns out it shows up a ton of times in a row in my description of Turing's <a href="http://en.wikipedia.org/wiki/Turing_test#The_imitation_game" title="wikipedia">imitation game</a>. So there you have it.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Girl Talk&apos;s Feed The Animals - The Liveblog!</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/music/girl-talks-feed-the-animals-th.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.31</id>

    <published>2008-06-19T16:26:15Z</published>
    <updated>2008-06-19T16:43:46Z</updated>

    <summary> In honor of today&apos;s internet Radiohead-style release of Girl Talk&apos;s new album, I&apos;m going to liveblog it, because it seems appropriate. Let&apos;s see how much of this turns into &quot;name that tune.&quot; I&apos;ll try to make it moderately interesting....</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<p><img class="fullimage" src="http://nickseaver.net/dilettante/images/feedtheanimals.jpg" alt="feed the animals cover" /></p>
<p>In honor of today's internet Radiohead-style <a href="http://illegalart.net" title="download here">release</a> of Girl Talk's new album, I'm going to liveblog it, because it seems appropriate. Let's see how much of this turns into "name that tune." I'll try to make it moderately interesting.</p>
<p class="update">Turned out kind of long. Scroll to the end for my incisive conclusions, after the break.</p>]]>
        <![CDATA[<span class="Apple-style-span" style="white-space: pre-wrap">
<h3>Play Your Part (Pt. 1)</h3>

nothing beats starting a mix with "Gimme Some Lovin" http://www.youtube.com/watch?v=VxA3atHD2QM

the mixing, eq, etc. are already noticeably better than the last album: all the various songs have their own little range of frequencies to live in.

twisted sister. great.

now weezy has officially been on the majority of records released this year.

"Nothing Compares 2 U"/"Gettin' Some Head"--Stay classy there.

"Big Pimpin'"--haven't heard this song in...


<h3>Still Here</h3>

"No Diggity" into that MIA song that I can't remember

something happened here that I don't remember

"The Weight" -- take a load off of me and don't let this song go any longer

oh shit, Ace of Base. kudos, Mr. Talk.

At this point, it is very clear that Girl Talk is quite pleased with this new album; every part seems to be the kind of "aren't mashups just &lt;em>fun&lt;/em>" thing that only turned up a couple times on the last album.

<h3>What it's All About</h3>

Busta/Police mashup: nice listening, not very danceable.

"Land of 1000 Dances" -- what is up with the retro stuff this time around?

Faith No More -- I only recognize this song because it's on Rock Band.

That Dawson's Creek song. cute.

and yet another dramatic biggie/tiny dancer-style climax. He must have read that Pitchfork review.

Okay, this part is fantastic: Jackson 5/some beatboxing thing, into the guitar solo from "Bohemian Rhapsody"

<h3>Set it Off</h3>

I think this is the beat from Umbrella? I guess it's pretty generic.

Jay-Z/Radiohead. This is something from the early days of mashups. a la "Christina Aguilera and the Strokes!!"

The EQing is still impressive though; I wonder what his computer setup is now.

More retro songs: can't name the decade specifically. Let's call it the Bar Mitzvah/Oldies Station-ties

2:20 I recognize this and want to hear the original song, but I can't remember what it's called!

Fatman Scoop and Dexy's Midnight Runners: this is bad. Maybe if I was my 13 year old self again.

"The Midnight Hour"--back to the oldies station-ties

<h3>No Pause</h3>

YES: Fatman Scoop/"Work It"

Some prog thing I can't remember.

Oh yes: Spank Rock/"More More More" (or whatever that song is from the late 90s with the samples.)

"I Want You To Want Me" -- bleh

Jimi.

That song from the macbook air commercial. How current!

<h3>Like This</h3>

mixing got a little less good here. "Body Movin"/some other stuff

"Ghetto Superstar": maybe he'll mix in "Islands in the Stream"

oh. nope.

But he did toss in the Carpenters, pitched up.

And mixed into System of a Down, or something.

WITH "LIP GLOSS" -- novel, but not great.

<h3>Give Me a Beat</h3>

Styx - this must be the part I'm supposed to hate and then come to love ironically

I think this rap was in &lt;em>Night Ripper&lt;/em>

"Gimme More"/Air-"Sexy Boy" -- it works, but I'm no longer doubtful that GT can make whatever he wants to work. it needs to be good too.

we're heading for another "mashups are &lt;em>fun&lt;/em>" climax...

Of Montreal: if the hipsters lasted this long, they'll be glad (i.e. me)

and the only way to use a sample from "Kiss" by Prince: one time, all of a sudden.

<h3>Hands in the Air</h3>

Whoomp There it Is.

And Hot Chip! the hipness continues

YESYESYES: Yo Majesty!

AND DAFT PUNK. Okay, I can get behind this part. Yo Majesty mixed with Daft Punk is basically the entire range and scope of my DJ sets.

and with Michael Jackson on top!

and Sly and the Family Stone! kill me.

He is bringing it very hard here, and I'm okay with that.

end it with a one-hit "Free Ride," nice.

<h3>In Step</h3>

I'm thinking about how this would do in a party setting. I think it would be probably just as effective as Night Ripper, but with fewer of the poorly mixed/advised rock out bits, which is a plus.

"Lithium"/Salt N Pepa - very 2001 mashup.

"Do You Remember"-- "Everyone say Mazel Tov to Sarah!"

<h3>Let Me See You</h3>

I knew we couldn't escape that Akon/Gwen Stefani song. Google now tells me that was a pun -- "The Great Escape"

I think that was a tiny sample from "Word Up." I love that song since I heard it on the Austin Powers soundtrack when I was a child.

"I'm a Flirt"/"I'm Gonna Get You" - I think he does these just to say "Hood Internet, you got nothin on this"

and "Wild Thing," love this song.

"Hustlin"/"Rebel Rebel" - it's okay.

and new MIA. with the cranberries. cute.

<h3>Here's the Thing</h3>

"96 Tears" -- more of that oldies stuff. Not that I don't like it; it's just quite noticeable.

"Since U Been Gone"/metal - with just the extra beats, it's good. lose the sudden metal bursts.

Oh wow, Elvis Costello. That's good.

<h3>Don't Stop</h3>

I keep thinking I hear the intro to "Smells Like Teen Spirit."

Wrong again.

And Soulja Boy finally makes it in.

<h3>Play Your Part (Pt. 2)</h3>

Now lets see if he can end it as well as &lt;em>Night Ripper&lt;/em>

"Lollipop" is in, as promised, mixed with "Under the Bridge" by the chili peppers. eh.

ooh, "thunderstruck" -- ending on a fast note?

oh, here's the slow part.

it's that song with the piano from the 80s, you know? with the oohhhohhhhohhh lady? and "Pop Lock and Drop It."

okay, this is nice.

Well, that went fast.
<br /></span>
<p>
Overall, I'd say it's just as good as <em>Night Ripper</em>, less novel, but better produced. I'd listen to it again. Nothing stands out as much as the great parts did on <em>Night Ripper</em>, though. The method of release is interesting too, and warrants some checking in on in the future. Girl Talk is no Radiohead or Nine Inch Nails, in size of fan base or in type of music. We'll see if he can make it pay without the huge rabid followings, and in spite of the fact that the whole thing is made of samples. When you put in $0 on the form, they send you to a little survey question about why you don't want to pay:</p>
<p>
I have opted to pay $0.00 because: 
</p><ul>
<li>I may donate later</li>
<li>I can't afford to pay</li>
<li>I don't really like Girl Talk</li>
<li>I don't believe in paying for music</li>
<li>I have already purchased this album</li>
<li>I don't value music made from sampling</li>
<li>I am part of the press, radio, or music industry</li>
<li>Other reasons</li>
</ul>
<p>Interesting to think about.</p>]]>
    </content>
</entry>

<entry>
    <title>Auuugghhh!!! My eyes!!!!!</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/memes/auuugghhh-my-eyes.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.30</id>

    <published>2008-06-19T14:44:06Z</published>
    <updated>2008-06-19T14:49:14Z</updated>

    <summary></summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Memes" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Movies" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<a href="http://www.entertainmentearth.com/prodinfo.asp?number=MTL9663" title="buy it for yourself!"><img src="http://nickseaver.net/dilettante/images/thebirds.jpg" alt="The Birds Barbie" /></a>]]>
        
    </content>
</entry>

<entry>
    <title>A Jonas Front!</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/memes/a-jonas-front.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.29</id>

    <published>2008-06-18T11:08:11Z</published>
    <updated>2008-06-18T11:12:49Z</updated>

    <summary> Evan Agostini/AP...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Memes" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<p><a href="http://www.nytimes.com/2008/06/17/arts/television/17jona.html?em&amp;ex=1213934400&amp;en=38c3702f5eebebb0&amp;ei=5087%0A"><img src="http://nickseaver.net/dilettante/images/jonas.jpg" alt="OMG" class="fullimage" /></a></p>
<p class="caption">Evan Agostini/AP</p>]]>
        
    </content>
</entry>

<entry>
    <title>Won&apos;t Get Fooled Aagaigainagainaaiinn</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/music/wont-get-fooled-aagaigainagain.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.28</id>

    <published>2008-06-16T18:15:21Z</published>
    <updated>2008-06-16T18:33:06Z</updated>

    <summary> Won&apos;t Get Fooled Again (played five times simultaneously)...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Music" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[<p>
<img src="http://nickseaver.net/dilettante/images/wontgetfooledagain.png" class="fullimage" /> </p>
<p><a href="http://nickseaver.net/dilettante/audio/wontgetfooled.mp3" title="download">Won't Get Fooled Again (played five times simultaneously)</a></p>]]>
        
    </content>
</entry>

<entry>
    <title>Shooting at Planes</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/memes/shooting-at-planes.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.27</id>

    <published>2008-05-30T03:19:32Z</published>
    <updated>2008-05-30T03:23:57Z</updated>

    <summary> Rare uncontacted Amazon tribe photographed Seems especially awesome after watching the Lost season finale....</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Memes" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[<p>
<img src="http:/nickseaver.net/dilettante/images/tribe.jpg" class="centerimage" alt="crazy tribe" /> 
</p><p>
<a href="http://www.msnbc.msn.com/id/24880941/" title="MSNBC">Rare uncontacted Amazon tribe photographed</a></p>
<p class="update">Seems especially awesome after watching the <em>Lost</em> season finale.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Michelle Malkin is a Maniac</title>
    <link rel="alternate" type="text/html" href="http://nickseaver.net/dilettante/politics/michelle-malkin-is-a-maniac.html" />
    <id>tag:nickseaver.net,2008:/dilettante//1.26</id>

    <published>2008-05-29T14:08:24Z</published>
    <updated>2008-05-29T15:04:09Z</updated>

    <summary> A bonus post, before I sign off! I just saw this story, which is sort of old news, but who cares?: Rachael Ray ad pulled as pundit sees terror link Basically, the stylist at a Dunkin&apos; Donuts commercial shoot...</summary>
    <author>
        <name>nick</name>
        
    </author>
    
        <category term="Politics" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en-US" xml:base="http://nickseaver.net/dilettante/">
        <![CDATA[ <p class="update">
A bonus post, before I sign off!</p>
<p>
<img src="http://nickseaver.net/dilettante/images/rachaelkeffiyehray.jpg" alt="rachael ray" class="fullimage" />
</p>
<p>
I just saw this story, which is sort of old news, but who cares?:</p>
<p><a href="http://www.msnbc.msn.com/id/24860437/" title="MSNBC">Rachael Ray ad pulled as pundit sees terror link</a></p>
<p>
Basically, the stylist at a Dunkin' Donuts commercial shoot put a <a href="http://en.wikipedia.org/wiki/Keffiyeh" title="wikipedia">keffiyeh</a> on Rachael Ray. Michelle Malkin, who is convinced that the keffiyeh is "<a href="http://michellemalkin.com/2006/07/20/hate-couture-the-keffiyeh-craze/" title="watch out: entering right-wing blogosphere">hate couture</a>," drummed up a mini-controversy on the right-wing web and got Dunkin' Donuts to capitulate.</p>
<p>
A couple things about this drive me crazy: First, the vast majority of people most likely have no clue about where the keffiyeh comes from, other than "Urban Outfitters," or maybe "Balenciaga." Among those people is probably the stylist for the commercial who just knows that the pattern is trendy, which it of course is. Second, for people who do know where it comes from geographically, they most likely don't associate it with any political statement at all. The only people who see a keffiyeh and think "terrorist supporter" are right-wing bloggers and people who read them (who, of course, are all right wing bloggers themselves).</p>
<p>
The biggest problem here, however, is Michelle Malkin's insistence that the keffiyeh is "hate couture"--where that racist misconception comes from, and what it signifies about the way some people interact with other cultures.</p>
<p>
Historically, the keffiyeh is a scarf worn by Arab men. That's it. It wasn't invented by Osama bin Laden or designed to kill Americans. This alone does not excuse the keffiyeh. The swastika predated the Nazis by centuries, but any use of it now is irrevocably a reference to Hitler and the Third Reich.</p>
<p>
More recently, Palestinians wore the keffiyeh as a symbol of Palestinian nationalism. Initially, some people wore the scarves in solidarity with Palestine. Now, these people are certainly not advocating terrorism just by wearing a scarf, just as support for a Palestinian state does not automatically mean support for terrorism. (Directed at these people, Malkin's screed, while still inane, is the most coherent: she just thinks that any support of Palestine is a tacit support of suicide bombers.)</p>
<p>
Even more recently, the fashion industry has picked up on the keffiyeh and its aesthetically appealing pattern. One of the appeals of the scarf is undoubtedly its pre-existence in another culture; reappropriation in design is an often wonderful shortcut to introducing new items to the market. Instead of designing something from the ground up, you can find an article of clothing or a piece of furniture that already existed elsewhere and transplant it. You gain the novelty of design and the pleasure of cross-cultural reference in one package!</p>
<p>
So why did the fashion industry pick up the keffiyeh? Nice pattern? (Black and white was so in right then) Subversiveness? (Supporting Palestine, tres outré) Transplanting cultural artifacts for fashion gain? Probably a little bit of all three. These three reasons probably also sum up the reasons why consumers picked up the scarves for themselves. You might note that none of these reasons include "blowing people up." </p>
<p>
Malkin's "hate couture" label relies on the keffiyeh being a symbol that supports terrorism, which is in no case entirely true. Even if you go to Palestine, only a miniscule portion of the people in keffiyeh would actually be terrorists, and even a terrorist-supporter might wear the keffiyeh, not because he supports terror, but because IT IS A SCARF.</p>
<p>
The biggest problem with Malkin's BS is that she has a fundamental misunderstanding about how symbolism works in culture. A symbol, just like a word, only means anything through the the mutual understanding of people. If I draw some crazy squiggle and say that it means "Michelle Malkin is an idiot," it only means that if other people start using the squiggle themselves. Even more, if I took my symbol to another country, it would no longer mean anything, because no one there has heard of it before. ("Perro" doesn't mean dog in China.) The swastika symbolizes Nazism because it had <em>worldwide</em>, terrifying dissemination. The keffiyeh may have sporadic local significance as a symbol of Arab nationalism (though not specifically terror-support), but it has most assuredly unlinked from that meaning in the vast majority of its uses (i.e. Rachael Ray is not besties with al Qaeda). Malkin's failure to notice that symbols do not have inherent significance, and her insistence on linking any support for the Arab community with hate speech make her claims as meaningless as a keffiyeh on an Olsen twin. (hehehe)</p>

<p class="update">and with this, I start the "Politics" category of the blog, which will hopefully stay underpopulated because I hate this stuff</p>]]>
        
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